We have the new TV spot for the next James Bond movie, Skyfall, which was shown during Friday's Olympic Games opening ceremony, check it out after the jump!
Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts
03:20
We have the new TV spot for the next James Bond movie, Skyfall, which was shown during Friday's Olympic Games opening ceremony, check it out after the jump!
New 007 Skyfall TV Spot (Video)
We have the new TV spot for the next James Bond movie, Skyfall, which was shown during Friday's Olympic Games opening ceremony, check it out after the jump!
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14:22
With The Dark Knight Rises getting every bit of attention (which it deserves!) we thought we'd compile a list of our favourite Batman movie moments (in no particular order) and although there are tons more, these are the ones that made the cut.
"Swear to me" - Batman Begins
This is probably one of the most quoted scenes in Batman movie history. The moment we really see how terrifying Bruce wants Batman to be. The gritty roar, and the symbolic gesture that Batman may appear to be supernatural has Flass in a pant wetting state.
"I'm Batman" - Batman
Whilst many see Christian Bale as the ultimate Batman (us included), many folk see Michael Keaton as the main man who wore the cape and cowl. This scene in particular showed a darker tone to Batman since the only movies previously were that of the campy Adam West mould. This saw director Tim Burton bringing Batman to his darker roots.
"I'm Batman" - Batman Begins
Think Keaton was intimidating in the scene above? Well, we think Bale did it better. Batman has tracked down where the drugs are being smuggled, resulting in him roughing up Carmine Falcone and his goons, where he tells Falcone just who he is...
[Thanks to Marc D for choosing this one!]
Bruce showing he's human - Batman: Mask of The Phantasm
There's a massive following of people who believe Mask of The Phantasm to be the most faithful adaptation of Batman outside of the comics, and this scene showed that Bruce Wayne isn't always the brooding billionare/beefed up vigalantee. Bruce has recently begun dating Andrea Beaumont, and has become infatuated with her. He finally realizes that having her in his life creates a conflict; He cannot risk his life every night if there is someone who loves him waiting at home.
He confronts his parents grave, and pleads with them for the opportunity to try living a happy life with her, instead of becoming Batman and fulfilling the promise he made to them.
Joker's Pencil Trick Scene - The Dark Knight
I remember hearing about the late Heath Ledger playing the psychotic clown, and as many believed, was a bad move by Nolan. How wrong we were. Ledger took the Joker to a new high, blowing everyone away with his performance. This scene showed us the clown prince of crime was both deranged, and utterly hilarious at the same time
Catwoman "Meow" - Batman Returns
Whilst we all (yes, all, you shouldn't be reading this otherwise) now have the utterly delightful image of Anne Hathaway donning the leathers and straddling the Batpod, long before that, Michelle Pfeiffer played the role of Catwoman. And this scene had the sexual prowess and danger of the femme fatal.
Bank Robbery Scene - The Dark Knight
Quite possibly the most well produced and thought out opening scene in movie history, the bank robbery scene from The Dark Knight was so well orchestrated, that it automatically made you glad Nolan had taken the Batman under his own wing. It also holds some brilliant quotes for Ledger's Joker, including the definitive "What doesn't kill you, only makes you; stranger"
Robin's Death - Batman: Under The Red Hood
One of my favourite Batman movies, Under The Red Hood, a gritty animation that took it's opening scene straight from the comic A Death in the Family, and see's a young Jason Todd savagely beaten by the Joker, before he kills him. Even though most comic readers hated Jason Todd, no one can argue at how gut wrenching the scene is.
Unmasking Bane - The Dark Knight Rises
As we hear the voice of the masked prisoner, we hear for the first time Tom Hardy's Bane. An unusual mix of English, Caribbean heritage, and Bartley Gorman, bringing a sordid style of class and etiquette to an otherwise massive brute. Then the mask is revealed (only to show another mask), and we are treated to the first sigh of Bane. His piercing eyes already striking terror into your soul before he's even stood up.
Bruce's "does it come in black?" line - Batman Begins
As Lucius Fox (Morgan Freeman) shows Bruce Wayne some high tech weaponry for, erm, spelunking, Bruce notices a rather large "tank like" vehicle. After taking the beast of a car for a spin, he remarks "does it come in black?" a line which brought humour to the gritty Nolan world. The line was later delivered by Fox in The Dark Knight Rises when he reveals to Bruce the Bat, telling him "...and yes, it comes in black". Brilliant.
"You can call me, Joker" - Batman
Grissom (Jack Palance) finds that his old henchman Jack (Jack Nicholson) has reinvented himself after his mob employer set him up and left him to die. A more 'cartoon' like approach to the Joker than Nolan and Ledgers, yet still retaining a homicidal streak.
Blood Bank Scene - The Batman vs. Dracula
In the animated movie Batman vs. Dracular, we see the Gotham's Dark Knight take on the original Bat-Man, and in doing so, see's the Joker transformed into a vampire. From what is essentially a children's animation, this scene is quite scary all things considering, but is a greatly animated and unnerving psyche into the Jokers new un-dead phase.
Joker Blows up a Hospital - The Dark Knight
Yet another entry from the late Heath Ledger's Joker, as he takes to the streets of Gotham in, well, style. Dressed as a nurse, the Joker causes mass panic as he threatens to blow up a hospital, unless Coleman Reese (Joshua Harto) is killed.
Batman Nearly Breaks His Rule - Batman Beyond: Rebirth
Although not technicaly a movie, Batman Beyond: Rebirth was released as a full animated feature before becoming a series (Rebirth actually being episode 1). Set in 2019, we find a new high-tech Batman in a new suit, but an old, ageing Bruce Wayne underneath fighting some goons. During the battle, Batman suffers a heart attack, and in that moment of desperation, he's forced to pick up a gun in order to defend his life and we're shown how Bruce betrays everything Batman stood for.
Joker's "Can I have a glass of water?" - Batman: Under The Red Hood
Even though I prefer Mark Hamill as the voice of the Joker, John DiMaggio does a stellar job in Under The Red Hood, bringing an excessively violent clown prince to the tables, whilst keeping the trademark psychopathic humour, as seen in this clip.
Bane Breaking Batman's Spine - The Dark Knight Rises
In Batman's first encounter with Bane, the Dark Knight suffers a brutal beating, and in a throwback to the story arc Knightfall, Bane breaks Batman's spine, as a horrified and treacherous Catwoman looks on.
"So that's what that feels like" - The Dark Knight Rises
In one of the funniest parts of the film, up high on a Gotham rooftop with Selina Kyle discussing tactics, Batman's attention momentarily shifts to The Bat behind him, before turning back to find Catwoman has vanished, prompting the line "...So that's what that feels like." Genius stuff.
"Where Are You?" - Batman Begins
As Falcone's goons carry on their drug smuggling, Batman intervenes, picking them out one by one, in the darkness, preying on them, striking fear into their good-for-nothing hearts. Then, there's only one goon left. Terrified, shooting his gun blindly into the darkness - "Where are you?" he screams, as Batman appears upside down behind him "Here". Brilliant.
The Joker's home video - The Dark Knight
A truly terrifying scene from The Dark Knight, see's the Joker's 'home movie' making the news, as he tortures a Batman imposter. "Do you think Batman's made Gotham a better place? Hmm?" he questions to silence before roaring "LOOK AT ME!" in a horrifying voice. It's unnerving as you really don't expect it, and added to the fact the scene is almost silent, it really takes your breath.
Scarecrows Own Medicine - Batman Begins
Dr Crane gets a taste of his own medicine and sees Batman in a whole new light after the Dark Knight sprays him with his own fear toxin. As if Christian Bales gritty Batman wasn't scary enough, Scarecrow sees Batman as a grotesque, snarling beast.
Batman Interrogates The Joker - The Dark Knight
In a fascinating clash of opposing ideologies; justice versus chaos, Batman interrogates the Joker as to the whereabouts of Bruce's squeeze Rachel and Gotham's "white knight" DA Harvey Dent. With no gadgets or theatrical swooping, it's just Batman and the Joker in a room, but after beating him around the room, Batman soon realises one thing - how can you threaten an enemy that doesn't want to kill you but wants you to break your one rule and kill him?
And Then There's This...
Nothing - Batman & Robin
It shouldn't be on here, it's so bad. George Clooney's caped crusader made Adam West's look like the Punisher.
But, if you need a laugh, check out the video below. Just don't ever speak of it again
Our 20 Favourite Batman Movie Moments
With The Dark Knight Rises getting every bit of attention (which it deserves!) we thought we'd compile a list of our favourite Batman movie moments (in no particular order) and although there are tons more, these are the ones that made the cut.
----------------------------Spoiler's Alert!----------------------------------
Ok, we've lied, there's a little over 20 Moments on the list, but hey, you can never have enough Batman!
"Swear to me" - Batman Begins
This is probably one of the most quoted scenes in Batman movie history. The moment we really see how terrifying Bruce wants Batman to be. The gritty roar, and the symbolic gesture that Batman may appear to be supernatural has Flass in a pant wetting state.
"I'm Batman" - Batman
Whilst many see Christian Bale as the ultimate Batman (us included), many folk see Michael Keaton as the main man who wore the cape and cowl. This scene in particular showed a darker tone to Batman since the only movies previously were that of the campy Adam West mould. This saw director Tim Burton bringing Batman to his darker roots.
"I'm Batman" - Batman Begins
Think Keaton was intimidating in the scene above? Well, we think Bale did it better. Batman has tracked down where the drugs are being smuggled, resulting in him roughing up Carmine Falcone and his goons, where he tells Falcone just who he is...
[Thanks to Marc D for choosing this one!]
Bruce showing he's human - Batman: Mask of The Phantasm
There's a massive following of people who believe Mask of The Phantasm to be the most faithful adaptation of Batman outside of the comics, and this scene showed that Bruce Wayne isn't always the brooding billionare/beefed up vigalantee. Bruce has recently begun dating Andrea Beaumont, and has become infatuated with her. He finally realizes that having her in his life creates a conflict; He cannot risk his life every night if there is someone who loves him waiting at home.
He confronts his parents grave, and pleads with them for the opportunity to try living a happy life with her, instead of becoming Batman and fulfilling the promise he made to them.
Joker's Pencil Trick Scene - The Dark Knight
I remember hearing about the late Heath Ledger playing the psychotic clown, and as many believed, was a bad move by Nolan. How wrong we were. Ledger took the Joker to a new high, blowing everyone away with his performance. This scene showed us the clown prince of crime was both deranged, and utterly hilarious at the same time
Catwoman "Meow" - Batman Returns
Whilst we all (yes, all, you shouldn't be reading this otherwise) now have the utterly delightful image of Anne Hathaway donning the leathers and straddling the Batpod, long before that, Michelle Pfeiffer played the role of Catwoman. And this scene had the sexual prowess and danger of the femme fatal.
Bank Robbery Scene - The Dark Knight
Quite possibly the most well produced and thought out opening scene in movie history, the bank robbery scene from The Dark Knight was so well orchestrated, that it automatically made you glad Nolan had taken the Batman under his own wing. It also holds some brilliant quotes for Ledger's Joker, including the definitive "What doesn't kill you, only makes you; stranger"
Robin's Death - Batman: Under The Red Hood
One of my favourite Batman movies, Under The Red Hood, a gritty animation that took it's opening scene straight from the comic A Death in the Family, and see's a young Jason Todd savagely beaten by the Joker, before he kills him. Even though most comic readers hated Jason Todd, no one can argue at how gut wrenching the scene is.
Unmasking Bane - The Dark Knight Rises
As we hear the voice of the masked prisoner, we hear for the first time Tom Hardy's Bane. An unusual mix of English, Caribbean heritage, and Bartley Gorman, bringing a sordid style of class and etiquette to an otherwise massive brute. Then the mask is revealed (only to show another mask), and we are treated to the first sigh of Bane. His piercing eyes already striking terror into your soul before he's even stood up.
Bruce's "does it come in black?" line - Batman Begins
As Lucius Fox (Morgan Freeman) shows Bruce Wayne some high tech weaponry for, erm, spelunking, Bruce notices a rather large "tank like" vehicle. After taking the beast of a car for a spin, he remarks "does it come in black?" a line which brought humour to the gritty Nolan world. The line was later delivered by Fox in The Dark Knight Rises when he reveals to Bruce the Bat, telling him "...and yes, it comes in black". Brilliant.
"You can call me, Joker" - Batman
Grissom (Jack Palance) finds that his old henchman Jack (Jack Nicholson) has reinvented himself after his mob employer set him up and left him to die. A more 'cartoon' like approach to the Joker than Nolan and Ledgers, yet still retaining a homicidal streak.
Blood Bank Scene - The Batman vs. Dracula
In the animated movie Batman vs. Dracular, we see the Gotham's Dark Knight take on the original Bat-Man, and in doing so, see's the Joker transformed into a vampire. From what is essentially a children's animation, this scene is quite scary all things considering, but is a greatly animated and unnerving psyche into the Jokers new un-dead phase.
Joker Blows up a Hospital - The Dark Knight
Yet another entry from the late Heath Ledger's Joker, as he takes to the streets of Gotham in, well, style. Dressed as a nurse, the Joker causes mass panic as he threatens to blow up a hospital, unless Coleman Reese (Joshua Harto) is killed.
Batman Nearly Breaks His Rule - Batman Beyond: Rebirth
Although not technicaly a movie, Batman Beyond: Rebirth was released as a full animated feature before becoming a series (Rebirth actually being episode 1). Set in 2019, we find a new high-tech Batman in a new suit, but an old, ageing Bruce Wayne underneath fighting some goons. During the battle, Batman suffers a heart attack, and in that moment of desperation, he's forced to pick up a gun in order to defend his life and we're shown how Bruce betrays everything Batman stood for.
Joker's "Can I have a glass of water?" - Batman: Under The Red Hood
Even though I prefer Mark Hamill as the voice of the Joker, John DiMaggio does a stellar job in Under The Red Hood, bringing an excessively violent clown prince to the tables, whilst keeping the trademark psychopathic humour, as seen in this clip.
Bane Breaking Batman's Spine - The Dark Knight Rises
In Batman's first encounter with Bane, the Dark Knight suffers a brutal beating, and in a throwback to the story arc Knightfall, Bane breaks Batman's spine, as a horrified and treacherous Catwoman looks on.
"So that's what that feels like" - The Dark Knight Rises
In one of the funniest parts of the film, up high on a Gotham rooftop with Selina Kyle discussing tactics, Batman's attention momentarily shifts to The Bat behind him, before turning back to find Catwoman has vanished, prompting the line "...So that's what that feels like." Genius stuff.
"Where Are You?" - Batman Begins
As Falcone's goons carry on their drug smuggling, Batman intervenes, picking them out one by one, in the darkness, preying on them, striking fear into their good-for-nothing hearts. Then, there's only one goon left. Terrified, shooting his gun blindly into the darkness - "Where are you?" he screams, as Batman appears upside down behind him "Here". Brilliant.
The Joker's home video - The Dark Knight
A truly terrifying scene from The Dark Knight, see's the Joker's 'home movie' making the news, as he tortures a Batman imposter. "Do you think Batman's made Gotham a better place? Hmm?" he questions to silence before roaring "LOOK AT ME!" in a horrifying voice. It's unnerving as you really don't expect it, and added to the fact the scene is almost silent, it really takes your breath.
Scarecrows Own Medicine - Batman Begins
Dr Crane gets a taste of his own medicine and sees Batman in a whole new light after the Dark Knight sprays him with his own fear toxin. As if Christian Bales gritty Batman wasn't scary enough, Scarecrow sees Batman as a grotesque, snarling beast.
Batman Interrogates The Joker - The Dark Knight
In a fascinating clash of opposing ideologies; justice versus chaos, Batman interrogates the Joker as to the whereabouts of Bruce's squeeze Rachel and Gotham's "white knight" DA Harvey Dent. With no gadgets or theatrical swooping, it's just Batman and the Joker in a room, but after beating him around the room, Batman soon realises one thing - how can you threaten an enemy that doesn't want to kill you but wants you to break your one rule and kill him?
The Final Scene - The Dark Knight Rises
The Dark Knight Rises' ending is incredibly emotional, as Batman carrys the bomb away with the Bat, only for it to explode. We then see Alfred, Lucius, Gordon and Blake at Bruce Waynes grave, sending off the Batman.
However.
Lucius discovers that Bruce managed to programme the autopilot on the aircraft six months ago, and Gordon later finds that the Bat-Signal has been repaired. We then see Alfred in Italy, where he see's Bruce and Selina alive together at a café. Meanwhile, Bake follows coordinates that Bruce left him, leading him to the Batcave. It's a brilliant ending to a perfect trilogy.
And Then There's This...
Nothing - Batman & Robin
It shouldn't be on here, it's so bad. George Clooney's caped crusader made Adam West's look like the Punisher.
But, if you need a laugh, check out the video below. Just don't ever speak of it again
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09:32
It's taken what seems like forever, but the The Dark Knight Rises, the final installment in Christopher Nolan’s Batman saga, is finally here. Does it amount to all the hype? Is it the great ending we all hoped for in Christopher Nolan's Batman trilogy? Read On!
It's been eight years since Harvey Dent died, and Bruce Wayne (Christian Bale) hasn't wore the cape and cowl ever since he took the fall for Harvey "Two-Face" Dent's crimes. Here, Nolan shows us an older Bruce, who has retreated into Wayne Manor, now a recluse who needs a cane due to all his injuries sustained as Batman.
However, two people will draw Batman out of his retirement: cat burglar Selina Kyle (Anne Hathaway) and Bane (Tom Hardy), a masked terrorist with a brutal plan for punishing Gotham City, and anyone who dares to stand in his way.
The lessons Bruce must learn in TDKR mirror those he faced in Begins (“Why do we fall, Bruce?”), but he’s not a vengeful young man anymore, he’s approaching middle age and, as Alfred (Michael Caine) reminds him, he isn’t living his life. He’s simply alive. He’s not moving on from the pain he’s experienced.
Alfred reminds him how lovely Wayne Enterprises board member Miranda Tate (Marion Cotillard) is, hoping that romance and perhaps even a family of his own someday could help him become the man his parents would have wanted rather than the terrifying symbol that his scared the crooks of Gotham.
Bale gives his finest performance as Bruce Wayne/Batman in TDKR, and it's a honour to watch him bring to life the most fully-formed, multifarious screen superhero to date. Returning to help both Bruce Wayne and Batman are Alfred (Michael Caine) and Lucius Fox (Morgan Freeman), with Alfred being a particularly sincere and poignant fixture this time out, with some truly heartbreaking scenes.

Again playing a somewhat understated performance as the character, Gary Oldman’s Gordon is a man reaching the up-most breaking points of living with the secret truth about Harvey
Dent, but he finds in Gordon-Levitt’s Officer Blake the sort of hopeful and honest cop he probably used to be himself. As Blake, Gordon-Levitt is carefully crafted and well played, but not everyone may buy his inconsistent East Coast accent and tough, streetwise manner, but Levvit does a good job overall, with Nolan delivering an interesting twist surrounding Blake.
The first question many will ask, is if TDKR is better than Batman Begins and/or The Dark Knight. Truthfully, it's a mixture of both. Those of you who prefer Batman Begins to TDK will find much to love about TDKR, whilst, even though Tom Hardy is terrific as Bane (more to follow), Bane as a character just isn't as interesting as The Joker, so those who loved TDK will feel a little disheartened. But that's not to say you wont love TDKR, because no matter what; you will.
As stated above, Hardy's interpretation as Bane is phenomenal. As a figure, he's utterly menacing. A massive brute of a man, Hardy gained 30 pounds (14 kg) for the role, increasing his weight to 198 pounds (90 kg), and it shows. Bane is known for his sheer size, and Hardy has done the character proud. But it's not just the size of his muscles that impress, forced to wear the mask throughout the film, Hardy is only really able to act with his eyes and hands, and he does a stellar job. Piercing glares and anger shine through his eyes, whilst his arm movements, even ones as simple as clutching his coat whilst he talks act more than some actors do with their whole body. The voice he uses (which include a mixture of English, Caribbean heritage, and Bartley Gorman) is deliciously scary, whilst also bringing an element of sophistication to the character. Casting aside the obvious changes to the comic book version of Bane, this is a villain the Batman has never seen the likes of before. And it works.
Selina Kyle (Anne Hathaway) is a welcome edition to the series, and Hathaway does a good job of mixing sly humor, the sexiness and the fighting prowess of the much loved comic character. Although neither Hardy or Hathaway give the same level of performance of that of the late Heath Ledger as the Joker in TDK, both characters are impressively portrayed in their own right.
For a nearly three-hour-long movie, The Dark Knight Rises clips along at a reasonable pace although sometimes it might have been nice for the film to pause long enough to let a few important dramatic moments have that extra beat to resonate.
The film does have several exciting action set-pieces, many of which utilize the new aerial vehicle The Bat, but none of which provoke the kind of jaw-dropping reaction that the truck flip did in The Dark Knight. Whilst the fight scenes between Batman and Bane are excellent, really showing the kind of foe Bane is to Batman; almost unstoppable.

Christopher Nolan and his team have delivered the grandest and most emotional chapter in their Batman saga with The Dark Knight Rises, and it is a fitting emotional and narrative conclusion to this particular interpretation of the legend of Batman, I just wish it wasn't ending.
The Dark Knight Rises Review
It's taken what seems like forever, but the The Dark Knight Rises, the final installment in Christopher Nolan’s Batman saga, is finally here. Does it amount to all the hype? Is it the great ending we all hoped for in Christopher Nolan's Batman trilogy? Read On!
----------------------------Spoiler's Alert!----------------------------------
It's been eight years since Harvey Dent died, and Bruce Wayne (Christian Bale) hasn't wore the cape and cowl ever since he took the fall for Harvey "Two-Face" Dent's crimes. Here, Nolan shows us an older Bruce, who has retreated into Wayne Manor, now a recluse who needs a cane due to all his injuries sustained as Batman.
However, two people will draw Batman out of his retirement: cat burglar Selina Kyle (Anne Hathaway) and Bane (Tom Hardy), a masked terrorist with a brutal plan for punishing Gotham City, and anyone who dares to stand in his way.
The lessons Bruce must learn in TDKR mirror those he faced in Begins (“Why do we fall, Bruce?”), but he’s not a vengeful young man anymore, he’s approaching middle age and, as Alfred (Michael Caine) reminds him, he isn’t living his life. He’s simply alive. He’s not moving on from the pain he’s experienced.
Alfred reminds him how lovely Wayne Enterprises board member Miranda Tate (Marion Cotillard) is, hoping that romance and perhaps even a family of his own someday could help him become the man his parents would have wanted rather than the terrifying symbol that his scared the crooks of Gotham.

Again playing a somewhat understated performance as the character, Gary Oldman’s Gordon is a man reaching the up-most breaking points of living with the secret truth about Harvey
Dent, but he finds in Gordon-Levitt’s Officer Blake the sort of hopeful and honest cop he probably used to be himself. As Blake, Gordon-Levitt is carefully crafted and well played, but not everyone may buy his inconsistent East Coast accent and tough, streetwise manner, but Levvit does a good job overall, with Nolan delivering an interesting twist surrounding Blake.The first question many will ask, is if TDKR is better than Batman Begins and/or The Dark Knight. Truthfully, it's a mixture of both. Those of you who prefer Batman Begins to TDK will find much to love about TDKR, whilst, even though Tom Hardy is terrific as Bane (more to follow), Bane as a character just isn't as interesting as The Joker, so those who loved TDK will feel a little disheartened. But that's not to say you wont love TDKR, because no matter what; you will.
Selina Kyle (Anne Hathaway) is a welcome edition to the series, and Hathaway does a good job of mixing sly humor, the sexiness and the fighting prowess of the much loved comic character. Although neither Hardy or Hathaway give the same level of performance of that of the late Heath Ledger as the Joker in TDK, both characters are impressively portrayed in their own right.For a nearly three-hour-long movie, The Dark Knight Rises clips along at a reasonable pace although sometimes it might have been nice for the film to pause long enough to let a few important dramatic moments have that extra beat to resonate.

Christopher Nolan and his team have delivered the grandest and most emotional chapter in their Batman saga with The Dark Knight Rises, and it is a fitting emotional and narrative conclusion to this particular interpretation of the legend of Batman, I just wish it wasn't ending.
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11:14
Resident Evil: Damnation Trailer
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11:10
Although it's not certain, this could be the armour Tony Stark may be wearing in Iron Man 3.
Directed by Shane Black from a script he co-wrote with Drew Pearce, Iron Man 3 is apparently loosely based on the 2005/2006 “Extremis” story arc by Warren Ellis and Adi Granov in which a criminal is injected with a nanotechnological drug created by the U.S. military in an attempt to replicate the Super-Soldier Serum, triggering a mutation within him.

Tony Stark's New Look for Iron Man 3?
Although it's not certain, this could be the armour Tony Stark may be wearing in Iron Man 3.
Directed by Shane Black from a script he co-wrote with Drew Pearce, Iron Man 3 is apparently loosely based on the 2005/2006 “Extremis” story arc by Warren Ellis and Adi Granov in which a criminal is injected with a nanotechnological drug created by the U.S. military in an attempt to replicate the Super-Soldier Serum, triggering a mutation within him.

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10:57
Superman: Man of Steel, Sneak Peak
Superman returned to San Diego Comic-Con on Saturday when Warner Bros. gave the Hall H crowd their first look at Man of Steel, although those that wern't at Comic-Con will have to wait ti see the trailer with next week's release of The Dark Knight Rises.
However, check out the poster below for a glimpse at the Man of Steel, along with the old photo we shared last year.
However, check out the poster below for a glimpse at the Man of Steel, along with the old photo we shared last year.
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08:39
Batman: The Dark Knight Rises, New TV Spot
06:17
Is the web-heads latest offering Amazing? Or does it swing aimlessly through (the CGI) New York? Read on!
10 years ago when Tobey Maguire donned the Spider-Man suit, critics raved over how the arachnid hero and as his love interest, Mary Jane (Kristen Dunst) were brought to life.
I actually watched the original film the other week, and although I loved it when it came out - it hasn't aged well. I didn't find Maguire convincing as Peter Parker, and don't even get me started on how that trilogy ended (we must never speak of the abomination that is Spider-Man 3).
So fast forward to the present, and we have a new Spider-Man/Peter Parker in the from of Andrew Garfield (The Social Network), and love interest Gwen Stacy played by Emma Stone (Easy A). After Sam Raimi's trilogy shattered box office reviews, earning a staggering $114 million in its first weekend alone, the reboot was always going to need to fill big shoes.
Directer Marc Webb (500 Days of Summer) brings us The Amazing Spider-Man, a reboot that revisits Peter Parker's origin story, but this time we get to see Peter as a child, and for the first time (in a Spider-Man movie) his parents (played by Campbell Scott and Embeth Davidtz); who, after a break-in at their house, rush Peter over to his Uncle Ben (Martin Sheen) and Aunt May's (Sally Field) house for safekeeping.
This is where we see many will feel shortchanged. Sure, the story is there, and it's hard hitting having to see Uncle Ben shot by a thug that Peter could've easily stopped, but we've seen it all before. The only thing being new is the setting/location of how he gets shot.
I personally didn't want the reboot to totally start all over, and I know it may have seemed odd to start the new trilogy with Peter already as Spider-Man, but the whole "becoming Spider-Man" was very samey.
However.
If by some chance you'd never seen Maguires flick, then it's a solid story, with Garfield who's acting has an instinctive wisdom, bringing a great deal of emotion to the science whizz Peter Parker. I much prefer this carnation of Peter Parker/Spider-Man to that of Maguires - he's a lot more loveable when he's being anaganised at school, he's nervous and twitchy in a way a social outcast would be believed to behave, but most importantly, he's both playful and bad ass as Spider-Man, something Maguire never brought to the table. One scene in particular shows this, where Spider-Man makes a web all through the sewers to act as a noise/movement alarm for the Lizard. This scene not only shows us that Parker is indeed very clever, but also that Spider-Man is a fun character (something that was never shown by Maguire), as he sits and plays a game on his phone whilst he waits.
Rhys Ifans (Notting Hill) does a great job as Dr Curt Connors/The Lizard, although, again, the semi-schizophrenia moments feel terribly familiar to Willem Dafoe's Norman Osborn/Green Goblin. But on a whole, The Lizard was a very good choice of villain, and Connors involvement with Peters father brings certain puzzle elements to whether or not the good/bad Dr. was involved in their death.
Where some of the film falls flat, the action sequences are very well done, with Spider-Man performing all of the acrobatic skills you'd expect, and the POV segments, although lacking, are a great addition to the film, allowing you to see first hand what Spider-Man is doing, its just a shame there wasn't more of these moments.

Whilst it's by no mean a contender to The Avengers crown, The Amazing Spider-Man is an enjoyable film, that, although lacking in parts, it did still deliver a much more believable Peter Parker with Andrew Garfield. I just hope the next instalment is more resourceful in where it heads.
The Amazing Spider-Man Movie Review
Is the web-heads latest offering Amazing? Or does it swing aimlessly through (the CGI) New York? Read on!
10 years ago when Tobey Maguire donned the Spider-Man suit, critics raved over how the arachnid hero and as his love interest, Mary Jane (Kristen Dunst) were brought to life.
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| From L-R: Tobey Maguire, Andrew Garfield, Kristen Dunst, Emma Stone |
I actually watched the original film the other week, and although I loved it when it came out - it hasn't aged well. I didn't find Maguire convincing as Peter Parker, and don't even get me started on how that trilogy ended (we must never speak of the abomination that is Spider-Man 3).
So fast forward to the present, and we have a new Spider-Man/Peter Parker in the from of Andrew Garfield (The Social Network), and love interest Gwen Stacy played by Emma Stone (Easy A). After Sam Raimi's trilogy shattered box office reviews, earning a staggering $114 million in its first weekend alone, the reboot was always going to need to fill big shoes.
Directer Marc Webb (500 Days of Summer) brings us The Amazing Spider-Man, a reboot that revisits Peter Parker's origin story, but this time we get to see Peter as a child, and for the first time (in a Spider-Man movie) his parents (played by Campbell Scott and Embeth Davidtz); who, after a break-in at their house, rush Peter over to his Uncle Ben (Martin Sheen) and Aunt May's (Sally Field) house for safekeeping.
This is where we see many will feel shortchanged. Sure, the story is there, and it's hard hitting having to see Uncle Ben shot by a thug that Peter could've easily stopped, but we've seen it all before. The only thing being new is the setting/location of how he gets shot.
I personally didn't want the reboot to totally start all over, and I know it may have seemed odd to start the new trilogy with Peter already as Spider-Man, but the whole "becoming Spider-Man" was very samey.
However.
If by some chance you'd never seen Maguires flick, then it's a solid story, with Garfield who's acting has an instinctive wisdom, bringing a great deal of emotion to the science whizz Peter Parker. I much prefer this carnation of Peter Parker/Spider-Man to that of Maguires - he's a lot more loveable when he's being anaganised at school, he's nervous and twitchy in a way a social outcast would be believed to behave, but most importantly, he's both playful and bad ass as Spider-Man, something Maguire never brought to the table. One scene in particular shows this, where Spider-Man makes a web all through the sewers to act as a noise/movement alarm for the Lizard. This scene not only shows us that Parker is indeed very clever, but also that Spider-Man is a fun character (something that was never shown by Maguire), as he sits and plays a game on his phone whilst he waits.
Rhys Ifans (Notting Hill) does a great job as Dr Curt Connors/The Lizard, although, again, the semi-schizophrenia moments feel terribly familiar to Willem Dafoe's Norman Osborn/Green Goblin. But on a whole, The Lizard was a very good choice of villain, and Connors involvement with Peters father brings certain puzzle elements to whether or not the good/bad Dr. was involved in their death.

Whilst it's by no mean a contender to The Avengers crown, The Amazing Spider-Man is an enjoyable film, that, although lacking in parts, it did still deliver a much more believable Peter Parker with Andrew Garfield. I just hope the next instalment is more resourceful in where it heads.
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Release Date: US (wide): July 3, 2012 Genre: Super-Hero Studio: Columbia Pictures Language: English |
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09:49
The future America is an irradiated waste land. On its East Coast, running from Boston to Washington DC, lies Mega City One- a vast, violent metropolis where criminals rule the chaotic streets. The only force of order lies with the urban cops called "Judges" who possess the combined powers of judge, jury and instant executioner. Known and feared throughout the city, Dredd (Karl Urban) is the ultimate Judge, challenged with ridding the city of its latest scourge -- a dangerous drug epidemic that has users of "Slo-Mo" experiencing reality at a fraction of its normal speed.
During a routine day on the job, Dredd is assigned to train and evaluate Cassandra Anderson (Olivia Thirlby), a rookie with powerful psychic abilities thanks to a genetic mutation. A heinous crime calls them to a neighborhood where fellow Judges rarely dare to venture- a 200 story vertical slum controlled by prostitute turned drug lord Ma-Ma (Lena Headey) and her ruthless clan. When they capture one of the clan's inner circle, Ma-Ma overtakes the compound's control center and wages a dirty, vicious war against the Judges that proves she will stop at nothing to protect her empire. With the body count climbing and no way out, Dredd and Anderson must confront the odds and engage in the relentless battle for their survival.
Director: Pete Travis
Release: 9/21/2012
Studio: Lionsgate
Judge Dredd Trailer (Video)
The future America is an irradiated waste land. On its East Coast, running from Boston to Washington DC, lies Mega City One- a vast, violent metropolis where criminals rule the chaotic streets. The only force of order lies with the urban cops called "Judges" who possess the combined powers of judge, jury and instant executioner. Known and feared throughout the city, Dredd (Karl Urban) is the ultimate Judge, challenged with ridding the city of its latest scourge -- a dangerous drug epidemic that has users of "Slo-Mo" experiencing reality at a fraction of its normal speed.
During a routine day on the job, Dredd is assigned to train and evaluate Cassandra Anderson (Olivia Thirlby), a rookie with powerful psychic abilities thanks to a genetic mutation. A heinous crime calls them to a neighborhood where fellow Judges rarely dare to venture- a 200 story vertical slum controlled by prostitute turned drug lord Ma-Ma (Lena Headey) and her ruthless clan. When they capture one of the clan's inner circle, Ma-Ma overtakes the compound's control center and wages a dirty, vicious war against the Judges that proves she will stop at nothing to protect her empire. With the body count climbing and no way out, Dredd and Anderson must confront the odds and engage in the relentless battle for their survival.
Director: Pete Travis
Release: 9/21/2012
Studio: Lionsgate
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03:40
Bane knows a big secret, and he want's to share it with us all...
For more on Batman: The Dark Knight, KAPOW! this this link right here.
New Batman: The Dark Knight Rises Trailer
Bane knows a big secret, and he want's to share it with us all...
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For more on Batman: The Dark Knight, KAPOW! this this link right here.
12:17
Wreck-It Ralph - Official Trailer
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13:27
Mirror, Mirror On The Wall, Who Made The Most Earnings
Over The Weekend...?
Snow White and the Huntsman bumped Men in Black III from the top spot at the domestic box office this weekend. Industry analysts expected it to not make as much of an impact as Will Smiths third outing as the suited and booted agent, but Twilights Kristen Stewart and the Avengers Chris Hemsworth's latest offering into a darker take on Snow White proved to do rather well.
Here are the weekend estimates via Rentrak:
1. Snow White and the Huntsman $56,255,430
2. Men in Black 3 $29,300,000
3. Marvel's The Avengers $20,273,000
4. Battleship $4,810,320
5. The Dictator $4,725,000
6. The Best Exotic Marigold Hotel $4,600,000
7. What to Expect When You're Expecting $4,430,000
8. Dark Shadows $3,860,000
9. Chernobyl Diaries $3,045,000
10. For Greater Glory $1,800,000
Check out our full review for Snow White and the Huntsman.
Snow White and the Huntsman Dwarves Box Office Rivals
Mirror, Mirror On The Wall, Who Made The Most Earnings
Over The Weekend...?
Snow White and the Huntsman bumped Men in Black III from the top spot at the domestic box office this weekend. Industry analysts expected it to not make as much of an impact as Will Smiths third outing as the suited and booted agent, but Twilights Kristen Stewart and the Avengers Chris Hemsworth's latest offering into a darker take on Snow White proved to do rather well.
Here are the weekend estimates via Rentrak:
1. Snow White and the Huntsman $56,255,430
2. Men in Black 3 $29,300,000
3. Marvel's The Avengers $20,273,000
4. Battleship $4,810,320
5. The Dictator $4,725,000
6. The Best Exotic Marigold Hotel $4,600,000
7. What to Expect When You're Expecting $4,430,000
8. Dark Shadows $3,860,000
9. Chernobyl Diaries $3,045,000
10. For Greater Glory $1,800,000
Check out our full review for Snow White and the Huntsman.
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05:20
Can The Dark Tone Of Snow White and the Huntsman Deliver The Grim Tale It's Promised?
Taking on Disney's classic Snow White film, Rupert Sanders' adaptation centers on the evil Queen Ravenna (Charlize Theron) who's plan is to conquer every kingdom on the continent. But, before long, Ravenna discovers that her stepdaughter Snow White (Kristen Stewart) is destined to surpass her beauty and challenge her claim to the throne.
Snow White escapes the tower she has been locked away in, and sets off through the Dark Forest, causing Ravenna to hire a gritty huntsman, Eric (Chris Hemsworth), to recapture the princess.
And, that's about it. The story is a pretty straightforward affair, but instead causes you to focus on the stunning backdrops, settings and eye-catching action sequences to hold your attention. Acting, on the most part is done well, with Theron excelling as the evil Queen, whilst Hemsworth brings the role of the gritty Huntsman a little charm (even though through-out the film, I expected to him to shout "I am the son of, Odin!"). Kristen Stewart, made famous as her role as Bella Swan in the Twilight Saga, does a good job as Snow White, and it's nice to see her in another mainstream role that's not filled with vampires and werewolves.
However, the characters' motivations seem generally lacking, which is probably a turn of the writing being somewhat contrived. It's only really the Queen who shows any significant ambition, showing Ravenna's backstory is probably one of the only novel contributions. Sure, they're are some references to mystical prophecies, such as the Troll living under the bridge, but there isn't enough of these moments.
The production design is excellent, showing Sanders has an eye for good shot composition, making the muted aesthetic stand out and adding to the darker tone the film is geared at. Some of the CGI elements aren't quite as stunning as others, a few of the woodland creatures and the fairies could've been better, and in turn become distracting and pull you out of the moement, but the Troll, Magpies and the magical White Harp look impressive in their own merits.
Then there are the dwarves. You know, of Snow White and the Seven Dwarves fame. These legendary characters don't actually make their appearance until well over half way through the film.
When they do finally appear, Muir (Bob Hoskins), Beith (Ian McShane), Quert (Johnny Harris), Coll (Toby Jones), Duir (Eddie Marsan), Gort (Ray Winstone), Nion (Nick Frost), and Gus (Brian Gleeson) all do a great job as the ex-gold mining dwarves turned drunk, looting renegade fighters. But the sad edition of them not gaining enough screen time is somewhat bizarre.
Whilst SWATH isn't the all-in-all dark take on the classic tale we hoped for, it's an enjoyable fare. Considering the simple writing, the cast do an excellent job, with stunning effects to keep you focused. It's a shame then, that the film does take a while to get going, with some slow set paces, and somewhat unanswered questions. The film could do with shaving off some of the less important and, sadly, boring scenes, and focus on building the characters a little more.
But, on saying that, all things considered, Sanders' Snow White is possibly the most compelling take we've seen on the story so far.
Snow White and the Huntsman Movie Review
Can The Dark Tone Of Snow White and the Huntsman Deliver The Grim Tale It's Promised?
Taking on Disney's classic Snow White film, Rupert Sanders' adaptation centers on the evil Queen Ravenna (Charlize Theron) who's plan is to conquer every kingdom on the continent. But, before long, Ravenna discovers that her stepdaughter Snow White (Kristen Stewart) is destined to surpass her beauty and challenge her claim to the throne.
Snow White escapes the tower she has been locked away in, and sets off through the Dark Forest, causing Ravenna to hire a gritty huntsman, Eric (Chris Hemsworth), to recapture the princess.
And, that's about it. The story is a pretty straightforward affair, but instead causes you to focus on the stunning backdrops, settings and eye-catching action sequences to hold your attention. Acting, on the most part is done well, with Theron excelling as the evil Queen, whilst Hemsworth brings the role of the gritty Huntsman a little charm (even though through-out the film, I expected to him to shout "I am the son of, Odin!"). Kristen Stewart, made famous as her role as Bella Swan in the Twilight Saga, does a good job as Snow White, and it's nice to see her in another mainstream role that's not filled with vampires and werewolves.
However, the characters' motivations seem generally lacking, which is probably a turn of the writing being somewhat contrived. It's only really the Queen who shows any significant ambition, showing Ravenna's backstory is probably one of the only novel contributions. Sure, they're are some references to mystical prophecies, such as the Troll living under the bridge, but there isn't enough of these moments.
The production design is excellent, showing Sanders has an eye for good shot composition, making the muted aesthetic stand out and adding to the darker tone the film is geared at. Some of the CGI elements aren't quite as stunning as others, a few of the woodland creatures and the fairies could've been better, and in turn become distracting and pull you out of the moement, but the Troll, Magpies and the magical White Harp look impressive in their own merits.
Then there are the dwarves. You know, of Snow White and the Seven Dwarves fame. These legendary characters don't actually make their appearance until well over half way through the film.
When they do finally appear, Muir (Bob Hoskins), Beith (Ian McShane), Quert (Johnny Harris), Coll (Toby Jones), Duir (Eddie Marsan), Gort (Ray Winstone), Nion (Nick Frost), and Gus (Brian Gleeson) all do a great job as the ex-gold mining dwarves turned drunk, looting renegade fighters. But the sad edition of them not gaining enough screen time is somewhat bizarre.
Whilst SWATH isn't the all-in-all dark take on the classic tale we hoped for, it's an enjoyable fare. Considering the simple writing, the cast do an excellent job, with stunning effects to keep you focused. It's a shame then, that the film does take a while to get going, with some slow set paces, and somewhat unanswered questions. The film could do with shaving off some of the less important and, sadly, boring scenes, and focus on building the characters a little more.
But, on saying that, all things considered, Sanders' Snow White is possibly the most compelling take we've seen on the story so far.
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